Other Recommendations

Previous analyses of the scale of Australia’s Indigenous visual arts
The size and scope of the sector as reported to the committee
Conclusion and issues

Economic benefits
Social benefits
Cultural benefits
Conclusion

What is an art centre?
The limitations of art centres
Issues facing art centres
Infrastructure pressures
Conclusion

’Urban’ Indigenous art

Commonwealth programs
States and territories
Government funding - issues
Conclusion

Introduction
Education and training of art centre staff
Education and training of artists
Education of consumers
Ensuring effective education to support the industry

Provenance
’Carpetbagging’
How do carpetbaggers get away with it?

Trade Practices Act 1974
Imports of non-authentic Indigenous art and products
Copyright laws
Fraud and illegal activity
Issues and solutions

Introduction
Certificates of provenance
Label of authenticity
Indigenous art and the tax system
Dealer accreditation
Indigenous Art Commercial Code of Conduct
Conclusion

Indigenous cultural and intellectual property
Need for specific legislation
COAG initiatives
Indigenous communal moral rights
Conclusion

Myer Report
Overseas resale royalty arrangements
DCITA discussion paper
DCITA discussion paper - issues raised in submissions
Access Economics report
Government rejection of resale royalty scheme
Evidence to this inquiry
Conclusion

Background and legislative framework
Debate about the permit system
The permit system and Indigenous Art
Conclusion

Introduction
The tourist market
The international market