Chapter 1 - Introduction

[1]        Journals of the Senate, No. 127—13 November 2018, p. 4084.

[2]        Explanatory memorandum, p. 3.

[3]        Explanatory memorandum, p. 2.

[4]        The Hon Paul Fletcher MP, House of Representatives Hansard, 18 October 2018, p. 3.

[5]        The Hon Paul Fletcher MP, House of Representatives Hansard, 18 October 2018, p. 3.

[6]        The Hon Paul Fletcher MP, House of Representatives Hansard, 18 October 2018, p. 4.

[7]        For example, section 115 of the Copyright Act provides that a copyright owner may seek an injunction, damages or an account of profits.

[8]        Department of Communications and the Arts, Regulation Impact Statement: Copyright Amendment (Online Infringement) Bill 2018 (October 2018), p. 4.

[9]        The Hon Paul Fletcher MP, House of Representatives Hansard, 18 October 2018, p. 3.

[10]      Senate Legal and Constitutional Affairs Legislation Committee, Copyright Amendment (Online Infringement) Bill 2015 [Provisions], 11 June 2015, p. 32.

[11]      The Hon Malcolm Turnbull MP, House of Representatives Hansard, 16 June 2015, p. 6416.

[12]      See https://www.communications.gov.au/have-your-say/review-copyright-online-infringement-amendment.

[13]      Australian Film & TV Bodies, Submission to Department of Communications and the Arts, Review of the Copyright Online Infringement Amendment, 23 March 2018, pp. 18-19.

[14]      Department of Communications and the Arts, Regulation Impact Statement: Copyright Amendment (Online Infringement) Bill 2018 (October 2018), p. 6.

[15]      Senate Standing Committee for the Scrutiny of Bills, Scrutiny Digest No. 13 of 2018 (14 November 2018), pp. 6-7.

[16]      Senate Standing Committee for the Scrutiny of Bills, Scrutiny Digest No. 13 of 2018 (14 November 2018), p. 7.

Chapter 2 - Key Issues

[1]        Music Rights Australia, Submission 3, p. 3.

[2]        Music Rights Australia, Submission 3, p. 3.

[3]        Australasian Music Publishers' Association Limited (AMPAL) Submission 4, p. 1; Phonographic Performance Company of Australia, Submission 6, p. 1; APRA AMCOS, Submission 10, p. 1; Australian Recording Industry Association (ARIA), Submission 12, p. 2; Australian Independent Record Labels Association (AIR), Submission 21, p. 1.

[4]        Australian Copyright Council, Submission 13, p. 2; Free TV Australia Submission 16, pp.1–2; Foxtel, Submission 19, p. 2; Coalition of Major Professional & Participation Sports (COMPPS), Submission 23, p. 2.

[5]        Australasian Music Publishers Association Limited (AMPAL), Submission 4, p. 2; Australian Film and TV Bodies, Submission 11, pp. 2–3; Copyright Agency, Submission 18, p. 1.

[6]        Google LLC, Submission 7, pp. 1–2; Pirate Party Australia, Submission 9, p. 2; Internet Association of Australia Inc., Submission 14, p. 1; Australian Digital Alliance, Submission 15, p. 3; Communications Alliance, Submission 20, p. 2; Digital Industry Group (DIGI), Submission 25, pp. 3–5.

[7]        Google LLC, Submission 7, pp. 1–2; Internet Association of Australia Inc., Submission 14, p. 1; Australian Digital Alliance, Submission 15, p. 3; Communications Alliance, Submission 20, p. 3.

[8]        Communications Alliance, Submission 20, p. 3.

[9]        Australian Film and TV Bodies, Submission 11, p. 3; Foxtel Submission 19, p. 2.

[10]      Foxtel, Submission 19, p. 2.

[11]      Village Roadshow Australia, Submission 2, p. 1; Music Rights Australia, Submission 3, pp. 4–5; Australian Film and TV Bodies, Submission 11, p. 6; Australian Copyright Council, Submission 13, p. 1; Foxtel, Submission 19, p. 2.

[12]      Australian Copyright Council, Submission 13, p. 1.

[13]      Music Rights Australia, Submission 3, pp. 6-7; Australian Film and TV Bodies, Submission 11, p. 5; Australian Copyright Council, Submission 13, p. 1; Free TV Australia, Submission 16, pp. 2–3;

[14]      Pirate Party Australia, Submission 8, pp. 5–6; Australian Digital Alliance, Submission 15, p. 4; Communications Alliance, Submission 20, pp. 7–8. See also Dr Matthew Rimmer,Submission 24, pp. 4, 18–19.

[15]      Australian Digital Alliance, Submission 15, p. 4; Communications Alliance, Submission 20, p. 8.

[16]      Australian Digital Alliance (ADA), Submission 15, pp. 4–5.

[17]      Pirate Party Australia, Submission 9, p. 5.

[18]      Electronic Frontiers Australia, Submission 5, p. 2; Google LLC, Submission 7, p. 6; Internet Association of Australia Submission 14, p. 1; Communications Alliance, Submission 20, p. 8.

[19]      Google LLC, Submission 7, p. 6.

[20]      Department of Communications and the Arts, Submission 22, p. 5.

[21]      Department of Communications and the Arts, Submission 22, p. 5.

[22]      Department of Communications and the Arts, Submission 22, p. 6.

[23]      Screen Producers Australia, Submission 1, p. 2; Australian Society of Authors, Submission 8, p. 2; Australian Film and TV Bodies, Submission 11, p. 5.

[24]      Australian Copyright Council, Submission 13, p. 1; Free TV Australia, Submission 16, p. 2; Foxtel, Submission 19, p. 3.

[25]      Australian Film and TV Bodies, Submission 11, p. 5.

[26]      Australian Film and TV Bodies, Submission 11, p. 5.

[27]      Screen Producers Australia, Submission 1, p. 2; Foxtel, Submission 19, p. 3.

[28]      Foxtel, Submission 19, p. 3.

[29]      Australian Film and TV Bodies, Submission 11, p. 6; Australian Copyright Council,Submission 13, pp. 1–2.

[30]      Google LLC, Submission 7, pp. 5–6; Australian Digital Alliance (ADA), Submission 15, p. 10; Communications Alliance, Submission 20, pp. 9–10.

[31]      Australian Digital Alliance, Submission 15, p. 10.

[32]      Australian Digital Alliance, Submission 15, p. 10; Communications Alliance, Submission 20, p. 10. See also Digital Industry Group (DIGI), Submission 25, p. 6.

[33]      Google LLC, Submission 7, p. 5.

[34]      Department of Communications and the Arts, Submission 22, p. 5.

[35]      Department of Communications and the Arts, Submission 22, p. 4.

[36]      Department of Communications and the Arts, Submission 22, p. 5.

[37]      Explanatory memorandum, p. 12.

[38]      Screen Producers Australia, Submission 1, p. 2; Australian Society of Authors, Submission 8, p. 2; Australian Film and TV Bodies, Submission 11, pp. 7–8; Foxtel, Submission 19, p. 3.

[39]      Australian Copyright Council, Submission 13, p. 2.

[40]      Music Rights Australia, Submission 3, pp. 5–6; Australian Film and TV Bodies, Submission 11, pp. 7–8.

[41]      Australian Film and TV Bodies, Submission 11, p. 7; Australian Copyright Council,Submission 13, p. 2; Foxtel, Submission 19, p. 3.

[42]      Australian Film and TV Bodies, Submission 11, p. 7.

[43]      Pirate Party Australia, Submission 9, p. 6; Australian Digital Alliance, Submission 15, p. 9; Communications Alliance, Submission 20, pp. 5–6.

[44]      Australian Digital Alliance, Submission 15, p. 9. See also Dr Matthew Rimmer, Submission 24, pp. 4, 21.

[45]      Google LLC, Submission 7, p. 6; Australian Digital Alliance, Submission 15, p. 9; Communications Alliance, Submission 20, pp. 5–6.

[46]      Google LLC, Submission 7, p. 2.

[47]      Google LLC, Submission 7, p. 6.

[48]      Australian Digital Alliance, Submission 15, p. 9;

[49]      Department of Communications and the Arts, Submission 22, p. 4.

[50]      Department of Communications and the Arts, Submission 22, pp. 4–5.

[51]      Music Rights Australia, Submission 3, p. 4; Phonographic Performance Company of Australia, Submission 6, pp. 1–2; Australian Film and TV Bodies, Submission 11, p. 6; Australian Copyright Council, Submission 13, p. 2.

[52]      Phonographic Performance Company of Australia, Submission 6, p. 2.

[53]      Senate Standing Committee for the Scrutiny of Bills, Scrutiny Digest No. 13 of 2018 (14 November 2018), pp. 6–7.