House of Representatives Committees


| Parliamentary Joint Committee on Climate Change, Water, Environment and the Arts

Footnotes

Chapter 1 Background to the inquiry

[1]       DEWHA, Submission No. 34, p. 1.

[2]       Berne Convention for the Protection of Literary and Artistic Works, Article 14ter.

[3]       Bills Digest, No. 74, 2008-09, p. 2.

[4]       R Myer, Report of Contemporary Visual Arts and Craft Inquiry, 2002, p. 8 (Myer Report).

[5]       Access Economics, The Impact of an Australian Resale Royalty on Eligible Visual Artists, October 2004, p. 1.

[6]       Minister’s second reading speech, 27 November 2008, p. 11644.

[7]       Minister’s second reading speech, Hansard, 28 November 2008; Deutscher and Hackett, Submission No. 17, p. 5; and Viscopy, Submission No. 36, p. 4.

[8]       Directive 2001/84/EC of the European Parliament and of the Council, 27 September 2001, para 8.

Matters raised in relation to the Bill

[1]       Resale Royalty Right for Visual Artists Bill 2008, Explanatory Memorandum, pp. 4-5.

[2]       Arts Law Centre of Australia, Submission No. 35, p. 10.

[3]       Arts Law Centre of Australia, Submission No. 35, p. 10.

[4]       Viscopy, Submission No. 36, p. 13.

[5]       R Dearn and M Rimmer, Submission No. 31, pp. 75, 76.

[6]       Viscopy, Submission No. 36, p. 13.

[7]       Australian Commercial Galleries Association, Submission No. 8, p. 3.

[8]       B Clark, Transcript of Evidence, 6 February 2009, p. 9.

[9]       L Alway and D Hackett, Transcript of Evidence, 6 February 2009, pp. 9, 10.

[10]     Viscopy, Implications of the Australian Government’s Proposed Resale Royalty Scheme, November 2008, p. 14, http://www.viscopy.com/pdfdocuments/implicationsof proposedresalescheme.pdf.

[11]     Sotheby’s, Transcript of Evidence, 6 February 2009, p. 2.

[12]     Sotheby’s, Transcript of Evidence, 6 February 2009, p. 2.

[13]     Department of the Environment, Water, Heritage and the Arts, Issues Paper: Australian Resale Royalty Scheme for Visual Artists—Framework and Parameters, 2008, p. 1.

[14]     Copyright Agency Ltd, Submission No. 30, p. 6; Arts Law Centre of Australia, Submission No. 35, p. 11; and Australian Commercial Galleries Association, Submission No. 8, p. 3.

[15]     DEWHA, Transcript of Evidence, 5 February 2009, p. 10.

[16]     Explanatory Memorandum, p. 7.

[17]     Minister Garrett’s second reading speech, 28 November 2008.

[18]     Australian Copyright Council, Artists’ Resale Royalty, 9 December 2008, p. 2 and Access Economics, Design Aspects of an Australian Resale Royalties Scheme, 7 April 2008, p. 23.

[19]     Access Economics, Design Aspects of an Australian Resale Royalties Scheme, 7 April 2008, p. 23.

[20]     Access Economics, Design Aspects of an Australian Resale Royalties Scheme, 7 April 2008, p. 23.

[21]     Arts Law Centre of Australia, Submission No. 35, p.3; and Viscopy, Submission No. 36, pp. 5, 6.

[22]     CARR, ‘Resale Royalty Right for Visual Artists Bill 2008’, Briefing Paper, 22 December 2008, p. 2.

[23]     CARR, ‘Resale Royalty Right for Visual Artists Bill 2008’, Briefing Paper, p. 2.

[24]     For the purpose of this exercise the CARR scheme is referred to both as CARR (500) and CARR (1000) which denotes the different threshold assumptions.

[25]     Viscopy, Submission No. 36.

[26]     DEWHA, Transcript of Evidence, 5 February 2009, p. 17;  Deutscher and Hackett, Transcript of Evidence, 6 February 2009, p. 9.

[27]     D Bowen, Submission No. 2; S Smart, Submission No. 3; P Drysdale, Submission No. 4; and R Piggott, Submission No. 5.

[28]     Sotheby’s Australia, Submission No. 24,  p. 4;  Sotheby’s, Transcript of Evidence, 6 February 2009, p.2;  Deutscher and Hackett, Submission No. 17, pp. 13, 14.

[29]     JR Walker, Submission No. 1, p. 1.

[30]     DEWHA, Transcript of Evidence, 5 February 2009, p. 3.

[31]     DEWHA, Transcript of Evidence, 5 February 2009, p. 15.

[32]     Arts Law Centre of Australia, Memorandum of Advice, para 29.

[33]     R Dearn and M Rimmer, Transcript of Evidence, 6 February 2009, p. 39.

[34]     R Dearn and M Rimmer, Submission No. 31, p. 74.

[35]     Arts Law Centre of Australia, Submission No. 35, p. 6; and NAVA, Submission No. 28, p. 2.

[36]     NAVA, Submission No. 28, p. 2.

[37]     Quoted with approval by French CJ (at [91]), Crennan J (at [360]) in Wurridjal v Commonwealth.

[38]     Nintendo Co Ltd v Centronics Systems Pty Ltd (1994) 181 CLR 134, pp. 160, 161.

[39]     R Dearn and M Rimmer, Transcript of Evidence, 5 February 2009, p. 39.

[40]     High Court of Australia, Press Release, 2 February 2009, p. 2.

[41]     Wurridjal v Commonwealth (2009) HCA 2 (2 February 2009), para 92

[42]     Minister’s second reading speech, 28 November 2008.

[43]     CISAC, Submission No. 27, p. 3.

[44]     Viscopy and CISAC, Transcript of Evidence, 6 February 2009, pp. 15, 19.

[45]     DEWHA, Transcript of Evidence, 5 February 2009, pp. 18, 19.

[46]     R Dearn and M Rimmer, Submission No. 31, p. 105.

[47]     R Dearn and M Rimmer, Submission No. 31, p. 108 (D Richardson, letter to the Adelaide Advertiser, 26 July 2007).

[48]     A French, Submission No.  39, p. 3 and Supplementary Submission No. 39a, p. 1.

[49]     Arts Law Centre of Australia, Submission No. 35, p. 8.

[50]     Australian Commercial Galleries Association, Submission No. 8, p. 2.

[51]     DEWHA, Transcript of Evidence, 5 February 2009, p. 11.

[52]     DEWHA, Transcript of Evidence, 5 February 2009, p. 12.

[53]     See http://www.artquest.org.uk/artlaw/artists-resale-right/arr-regulations-2006.htm, p. 4 (accessed 5 January 2009).

[54]     Australian Commercial Galleries Association, Submission No. 8, p. 2.

[55]     Arts Law Centre of Australia, Submission No. 35, p. 4.

[56]     Crikey website, http://blogs.crikey.com.au/northern/2008/11/07/garrets-resale-royalty-proposal-views (accessed 24/11/2008), p. 4.

[57]     R Dearn and M Rimmer, Submission No. 31, p. 113.

[58]     Crikey website, http://blogs.crikey.com.au/northern/2008/11/07/garrets-resale-royalty-proposal-views (accessed 24/11/2008), p. 4.

[59]     Arts Law Centre of Australia, Submission No. 35, pp. 7,  9.

[60]     Sotheby’s Australia, Submission No. 24, p. 4.

[61]     Australian Commercial Galleries Association, Submission No. 8, p. 5.

[62]     Access Economics, Evaluating the Impact of an Australian Resale Royalty on Eligible Visual Artists (report for Viscopy), October 2004, p. 10.

[63]     Viscopy, Transcript of Evidence, 6 February 2009, p. 19.

[64]     Arts Law Centre of Australia, Submission No. 35, p. 5.

[65]     DEWHA, Submission No. 34, p. 11.     

[66]     Myer Report, p. 162.

[67]     Myer Report, p. 163.

[68]     Myer Report, p. 165.

[69]     Viscopy, Submission No.  36, p. 12.

[70]     P Lewis, The Resale Royalty and Australian Visual Artists: Painting the Full Picture, 2003,      p. 10.

[71]     T Froschauer, The Impact of Artists Resale Rights on the Art Market in the United Kingdom, January 2009, p. 5.

[72]     Sotheby’s Australia, Submission No. 24,  p. 3 and J Davila, Submission No. 21, p. 3.

[73]     Sotheby’s Australia, Submission No. 24, p. 3.

[74]     Viscopy, Submission No. 36, appendix 1.

[75]     Viscopy, Submission No. 36, appendix 1.

[76]     Sotheby’s Australia, Submission No. 24, p. 2 and Deutscher and Hackett, Submission No. 17, p. 7.

[77]     Myer Report, p. 162.

[78]     Access Economics, Design Aspects of an Australian Resale Royalties Scheme, 7 April 2008, p. 2.

[79]     Myer Report, p. 162.

[80]     JR Walker, Submission No. 1, p. 3.

[81]     Deutscher and Hackett, Submission No. 17, p. 8.

[82]     Australian Antique and Art Dealers Association, Submission No. 32, p. 3 and T Froschauer, The Impact of the Artists Resale Rights on the Art Market in the United Kingdom, January 2008, pp. 10-11.

[83]     ACGA Transcript of evidence, 6 February 2009, p. 48.

[84]     Arts Law Centre of Australia, Submission No. 35, p. 4.

[85]     Viscopy, Submission No. 36, p. 9.

[86]     Arts Law Centre of Australia, Submission No. 35, p. 4.

[87]     Deutscher and Hackett, Submission No. 17, p. 9.

[88]     Australian Commercial Galleries Association, Submission No. 8, p. 6.

[89]     Australian Copyright Council, Submission No. 33, p. 10.

[90]     Australian Commercial Galleries Association, Submission No. 8, p. 6.

[91]     Australian Commercial Galleries Association, Submission No. 8, p. 6.

[92]     Deutscher and Hackett, Submission No. 17, p. 11.

[93]     Report of the Contemporary Visual Arts and Craft Inquiry, 2002.

[94]     JR Walker, Submission No. 1, p. 3.

[95]     Viscopy, Submission No. 36, p. 9.

[96]     DEWHA, Transcript of Evidence, 5 February 2009, p. 20.

[97]     Copyright Agency Ltd, Submission No. 30, p. 4.

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